See how a renowned sculptor creates plaster casts of community members

Sculptor Rigoberto Torres is bringing his community lifecasting to The John & Mable Ringling Museum of Art for its upcoming exhibition "Nuestro Vaivén (Our Sway)."


Rigoberto Torres holds the bust of Bélen Lopez. There is still more work to be done, including opening the eyes on the sculpture and painting the surface.
Rigoberto Torres holds the bust of Bélen Lopez. There is still more work to be done, including opening the eyes on the sculpture and painting the surface.
Photo by Ian Swaby
  • Sarasota
  • Neighbors
  • Share

The John & Mable Ringling Museum of Art is often recognized for sculptures like its copies of David and The Discobolus.

Yet sculptor Rigoberto Torres says museums are also a space where people in the community can be represented through art.

In fact, he says what he loves about lifecasting, which he typically performs in the streets, is the chance to meet the people he casts in plaster, and immerse himself in the various communities he visits.

His work is found in the collections of institutions that include The Metropolitan Museum of Art and the Museum of Fine Arts in Boston, and he has been practicing his craft since the late 1970s. 

On Aug. 5, the Observer joined Torres in the Ringling Museum's education building as he created a cast of a local woman, Bélen Lopez, for the upcoming exhibition "Nuestro Vaivén (Our Sway)."

Held from Oct. 4, 2025, to March 8, 2026, the exhibition will be the museum's first major exhibition of contemporary Latino art, featuring 22 artists representing 11 Latin American nations.

For some sections, artists have been partnered with community leaders, and Torres, along with local photographer Karen Arango, partners with Ada Toledo, owner of Carmichelle's Hair Design.

On-site at The Ringling, Torres has casted Toledo and four young women, including Lopez, who are her clients, while Arango is contributing recent and childhood portraits of the young women, along with audio interviews. 

Torres says people may tell themselves they are "nobody" or "zero," but he notes, "You are in my book, somebody."

Bélen Lopez awaits the casting as Rigoberto Torres prepares the alginate.
Photo by Ian Swaby


Rigoberto Torres mixes the alginate.
Photo by Ian Swaby


Rigoberto Torres
 spreads alginate on Bélen Lopez's face.
Photo by Ian Swaby


Bélen Lopez's face is entirely coated in alginate.
Photo by Ian Swaby


Rigoberto Torres lays wrapping on the alginate as Bélen Lopez 
is casted.
Photo by Ian Swaby


The alginate on Bélen Lopez 
is completely wrapped, as she waits for the coating to dry. "It was actually really relaxing, surprisingly," Lopez said. "I thought I was going to kind of get an anxiety attack, because it's like you have this stuff on you, but, no, it was fine.”
Photo by Ian Swaby


Rigoberto Torres removes the mold from Bélen Lopez 
with help from 
Associate Registrar of Exhibitions Janairy Del Valle
.
Photo by Ian Swaby


Rigoberto Torres
 prepares to fill out the interior of the mold.
Photo by Ian Swaby


Rigoberto Torres pours plaster into the mold.
Photo by Ian Swaby


Rigoberto Torres lays bandages inside the mold to hold the plaster in place.
Photo by Ian Swaby


Rigoberto Torres pulls up the wrapping on the outside of the mold.
Photo by Ian Swaby


Rigoberto Torres peels back the alginate mold to reveal the plaster cast underneath.
Photo by Ian Swaby


Rigoberto Torres breaks off the outside layer of alginate to reveal the plaster cast he has created inside.
Photo by Ian Swaby


The finished sculpture rests alongside two others created by Rigoberto Torres.
Photo by Ian Swaby
author

Ian Swaby

Ian Swaby is the Sarasota neighbors writer for the Observer. Ian is a Florida State University graduate of Editing, Writing, and Media and previously worked in the publishing industry in the Cayman Islands.

Sponsored Content